i'm lovesick somewhere tonight
There are good tracks in it, though. "Untamed" usually gets me in the mood to air-piano, so it's best not to listen to that while in the workplace, or anywhere in public, for that matter. "Relative" is the obligatory quintessential rock 'n' roll number—quite the counterpart of "Chemical Party" in Chariot, albeit somewhat louder and more angsty. Good thing the lyrics more than make up for the predictable arrangement.
"Cop Stop" is a good song, but I like his almost over-the-top live performance of it much better. "She Holds a Key", on the other hand, has a better-sounding studio version, particularly because the heavier lyrics ("Listen, you sinner—I'm sinning, too / Just wait until the darkness falls so I can sin with you") can hold up to a more dramatic arrangement and background vocals. The same goes for "Young Love" ("You're the young woman cast aside, ostracized / Left on the sidewalk of my lonely life"), so much that they sound nearly too similar. The obvious solution is to separate them in the track list, which was exactly what Gavin DeGraw did.
Finally, there's "Cheated On Me", which is a nice song to sing along to if you're in an especially drunken, woe-is-me state. Ironically, I hated it the first time I played it, and skipped the track a few seconds into the song. I found the loud, heavy guitar intro too overdone, and couldn't suppress rolling my eyes as the riffs gave way to a melody accompanied primarily by high piano notes. So what else is new?
It sounds better after a while, though, especially when listened to more closely. For instance, the first line ("I'm lovesick somewhere tonight") transforms from ho-hum to quaint merely by repetition—it's sung twice in succession, with slight changes in the melody, and the treatment works. And the melding of piano and acoustic guitar on the stanzas is seamless.
So where do I plan on taking this, after that extended introduction? You might feel the urge to hurt me, but the gist of this entry is twofold, and quite shallow, even by my standards.
First, the music video for "Cheated On Me" is finally out, and I just want to say that I absolutely hate it. It's got all that exaggerated music video elements: cheesy plot, conceited solo moments, facial features contorted this way and that to express broken-heartedness while singing into the camera.
As for the acting—well, don't get me started on that. It pains me so. And why is Gavin DeGraw, who came out with an anti-video video for "Chariot" some years back, making puppy-dog faces at me while singing his latest single? I'm confused.
The second thing I want to say, however, is that there's one good part in the video: when he throws that wineglass against the wall. Not that I'm for violence, but wineglass-throwing ranks high in my list of things to try out. There hasn't been any event in my life that merits the occasion, but I do admit to having had my share of beer-bottle hurling. Still, wineglasses are on a higher level than beer bottles.
In the future, if you run into me in some social gathering and you see me contemplating a wineglass, it might be best to stay far away.

